Interviewer: Her performance of the blind girl in Jeanne Ney is one of her most striking. I don’t feel Brigitte Helm is acting. I feel she is in a trance. That she has the power to throw herself into a trance and to move and speak and live a life quite outside her own experience.
G.W. Pabst: Ah, you see. You have it. Do you know the scene when she walks with Jeanne Ney in the streets of Paris, she was almost killed. The actor driving the taxi was not a driver really, but had had to learn. He was not very sure of his steering.
Brigitte Helm walked right in front of him. I had to run before the camera to save her. Do you know why? She was blind. She simply did not see it.
-excerpted from Close Up magazine interview (March 1929) 

Interviewer: Her performance of the blind girl in Jeanne Ney is one of her most striking. I don’t feel Brigitte Helm is acting. I feel she is in a trance. That she has the power to throw herself into a trance and to move and speak and live a life quite outside her own experience.

G.W. Pabst: Ah, you see. You have it. Do you know the scene when she walks with Jeanne Ney in the streets of Paris, she was almost killed. The actor driving the taxi was not a driver really, but had had to learn. He was not very sure of his steering.

Brigitte Helm walked right in front of him. I had to run before the camera to save her. Do you know why? She was blind. She simply did not see it.

-excerpted from Close Up magazine interview (March 1929)