Rita Hayworth & Orson Welles in publicity still for The Lady From Shanghai (1947, dir. Orson Welles) (via)
 
Q. What was the Hollywood reaction generally to [The Lady From Shanghai]?
Welles: Friends avoided me. Whenever it was mentioned, people would clear their throats and change the subject very quickly out of consideration for my feelings. I only found out that it was considered a good picture when I got to Europe. The first nice thing I ever heard about it from an American was from Truman Capote. One night in Sicily, he quoted whole pages of dialogue word for word.
Q. I guess that’s called being ahead of your time.
Welles: It’s called being in trouble.
-excerpted from This Is Orson Welles

Rita Hayworth & Orson Welles in publicity still for The Lady From Shanghai (1947, dir. Orson Welles) (via)

Q. What was the Hollywood reaction generally to [The Lady From Shanghai]?

Welles: Friends avoided me. Whenever it was mentioned, people would clear their throats and change the subject very quickly out of consideration for my feelings. I only found out that it was considered a good picture when I got to Europe. The first nice thing I ever heard about it from an American was from Truman Capote. One night in Sicily, he quoted whole pages of dialogue word for word.

Q. I guess that’s called being ahead of your time.

Welles: It’s called being in trouble.

-excerpted from This Is Orson Welles