Old Hollywood
Cinema
1900-1979

Nostalgia is a seductive liar - George Wildman Ball
“The body of a rotund man floating along the Thames looked familiar, the face and the portly figure recognisable from the movies.
But nothing nasty had happened to Alfred Hitchcock. The East End-born son of a London greengrocer was merely exercising his macabre sense of humour and marketing skills.
The director was announcing his return home to make Frenzy, a typically gruesome thriller and the first film he’d made entirely in his home country for more than 20 years.
Floating a lifelike dummy of himself on the river was the type of gimmick, mischievous and macabre, that he loved. In a business where those in front of the cameras expect to be the stars, Hitchcock proved bigger than his movies.”
(via)

“The body of a rotund man floating along the Thames looked familiar, the face and the portly figure recognisable from the movies.

But nothing nasty had happened to Alfred Hitchcock. The East End-born son of a London greengrocer was merely exercising his macabre sense of humour and marketing skills.

The director was announcing his return home to make Frenzy, a typically gruesome thriller and the first film he’d made entirely in his home country for more than 20 years.

Floating a lifelike dummy of himself on the river was the type of gimmick, mischievous and macabre, that he loved. In a business where those in front of the cameras expect to be the stars, Hitchcock proved bigger than his movies.”

(via)

Alfred Hitchcock on the set of Frenzy (1972) (via)
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Alfred Hitchcock on the set of Frenzy (1972) (via)

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