Old Hollywood
Cinema
1900-1979

Nostalgia is a seductive liar - George Wildman Ball
Jeanne Moreau in La Notte (1961, dir. Michelangelo Antonioni)

Jeanne Moreau in La Notte (1961, dir. Michelangelo Antonioni)

Jeanne Moreau in La Notte (1961, dir. Michelangelo Antonioni)
Patti Smith: I’m still pretty dumb about girl stuff.  For a while I said, “Ah, girls  are stupid.”  But after  seeing all these Jeanne Moreau movies, I think being a girl is where  it’s at.  Like when I’m  about thirty-five I’m gonna start wearing black cocktail dresses and  become a real cunt.
Penthouse: Do you get a kick out of being sexy?
Smith: I guess I like it.  Actually, the only time I ever tried  to cultivate being sexy  was when I read Peyton Place. I was about sixteen and I read  that this guy’s watching  this woman walk and he can tell she’s a good fuck by the way she walks.   It’s a whole  passage.  He’s telling Allison McKenzie, “I know you’re a virgin.”  And  she says, “Well,  how?”  And he says, “I can tell by the way you walk.”  And I thought, Uh-oh,  everybody  knows! I was ashamed to be a virgin, so I tried to cultivate a  fucked walk.  I tried to  figure out what it looked like.  I figured I’d watch any hot woman I  could.  I mean, look at  Jeanne Moreau.  You watch her walk across the street on the screen and  you know she’s had  at least a hundred men.
-excerpted from 1976 Penthouse interview by Nick Tosches

Jeanne Moreau in La Notte (1961, dir. Michelangelo Antonioni)

Patti Smith: I’m still pretty dumb about girl stuff. For a while I said, “Ah, girls are stupid.” But after seeing all these Jeanne Moreau movies, I think being a girl is where it’s at. Like when I’m about thirty-five I’m gonna start wearing black cocktail dresses and become a real cunt.

Penthouse: Do you get a kick out of being sexy?

Smith: I guess I like it. Actually, the only time I ever tried to cultivate being sexy was when I read Peyton Place. I was about sixteen and I read that this guy’s watching this woman walk and he can tell she’s a good fuck by the way she walks. It’s a whole passage. He’s telling Allison McKenzie, “I know you’re a virgin.” And she says, “Well, how?” And he says, “I can tell by the way you walk.” And I thought, Uh-oh, everybody knows! I was ashamed to be a virgin, so I tried to cultivate a fucked walk. I tried to figure out what it looked like. I figured I’d watch any hot woman I could. I mean, look at Jeanne Moreau. You watch her walk across the street on the screen and you know she’s had at least a hundred men.

-excerpted from 1976 Penthouse interview by Nick Tosches

Jeanne Moreau in La Notte (1961, dir. Michelangelo Antonioni) (via)

Jeanne Moreau in La Notte (1961, dir. Michelangelo Antonioni) (via)

Marcello Mastroianni & Jeanne Moreau in La Notte (1961, dir. Michelangelo Antonioni) (via)

Marcello Mastroianni & Jeanne Moreau in La Notte (1961, dir. Michelangelo Antonioni) (via)

Jeanne Moreau in La Notte (1961, dir. Michelangelo Antonioni) (via)

Jeanne Moreau in La Notte (1961, dir. Michelangelo Antonioni) (via)