Old Hollywood
Cinema
1900-1979

Nostalgia is a seductive liar - George Wildman Ball
M (1931, dir. Fritz Lang)
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M (1931, dir. Fritz Lang)

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1930’s state-of-the-art forensic fingerprint analysis via M (1931, dir. Fritz Lang)

1930’s state-of-the-art forensic fingerprint analysis via M (1931, dir. Fritz Lang)

“My trouble is that I try to cover a part entirely. When you do there’s the danger that the patron will leave the theatre feeling that you are so perfectly suited to the character he has just seen that he can’t imagine you in any other part.
…Mothers with children ran from me in the street. Terrible letters came to me. Letters came from strange people; people who I never believed lived in the world; depraved and disturbed minds, thinking they saw in me the perfect companion, a fellow psychopathic. A success can be too great, I tell you.”
-Peter Lorre, on his role in 1931’s M
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“My trouble is that I try to cover a part entirely. When you do there’s the danger that the patron will leave the theatre feeling that you are so perfectly suited to the character he has just seen that he can’t imagine you in any other part.

…Mothers with children ran from me in the street. Terrible letters came to me. Letters came from strange people; people who I never believed lived in the world; depraved and disturbed minds, thinking they saw in me the perfect companion, a fellow psychopathic. A success can be too great, I tell you.”

-Peter Lorre, on his role in 1931’s M

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M (1931, dir. Fritz Lang) (via)

M (1931, dir. Fritz Lang) (via)

M (1931, dir. Fritz Lang) (via)

M (1931, dir. Fritz Lang) (via)

1-3: Fritz Lang (right) directs Peter Lorre (left) on the set of M (1931), 4: Production sketch by M art director Emil Hasler

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M (1931, dir. Fritz Lang) (via)

M (1931, dir. Fritz Lang) (via)