![Dustin Hoffman in The Graduate (1967, dir. Mike Nichols)
Mike Nichols, on casting the part of Benjamin Braddock:
“I interviewed hundreds, maybe thousands, of men. Robert [Redford] wanted the part. I said, ‘You can’t play it. You can never play a loser.’ And Redford said, ‘What do you mean? Of course I can play a loser.’ And I said, ‘O.K., have you ever struck out with a girl?’ and he said, ‘What do you mean?’ And he wasn’t joking.”
“We looked and looked and looked and when we saw Dustin Hoffman on film, we said, ‘That’s it.’ And I had come all the way from seeing the character as a super-goy to being John Marcher in The Beast in the Jungle. He had to be the dark, ungainly artist. He couldn’t be a blond, blue-eyed person, because then why is he having trouble in the country of the blond, blue-eyed people? It took me a long time to figure that out—it’s not in the material at all. And once I figured that out, and found Dustin, it began to form itself around that idea.”](http://24.media.tumblr.com/tumblr_kw7d0uqDju1qzdvhio1_500.jpg)
Dustin Hoffman in The Graduate (1967, dir. Mike Nichols)
Mike Nichols, on casting the part of Benjamin Braddock:
“I interviewed hundreds, maybe thousands, of men. Robert [Redford] wanted the part. I said, ‘You can’t play it. You can never play a loser.’ And Redford said, ‘What do you mean? Of course I can play a loser.’ And I said, ‘O.K., have you ever struck out with a girl?’ and he said, ‘What do you mean?’ And he wasn’t joking.”
“We looked and looked and looked and when we saw Dustin Hoffman on film, we said, ‘That’s it.’ And I had come all the way from seeing the character as a super-goy to being John Marcher in The Beast in the Jungle. He had to be the dark, ungainly artist. He couldn’t be a blond, blue-eyed person, because then why is he having trouble in the country of the blond, blue-eyed people? It took me a long time to figure that out—it’s not in the material at all. And once I figured that out, and found Dustin, it began to form itself around that idea.”
